Why it works
Creative writing (poetry, fiction, and more) develops students' writing craft, voice, imagination, risk-taking, and engagement in ways that formal, functional writing often does not. Research and practice point to teaching it as real craft (showing technique, using mentor texts, drafting and revising) within a supportive writing-workshop culture where students share, give and receive feedback, and take creative risks safely, with the teacher as a fellow writer and coach. The balance is between explicit craft instruction and the freedom for students to find and develop their own voice.
The research: Writing education research; the writing-workshop tradition.
The run-of-show
Choose your slot. The agenda, timings, and length update to match.
The core activity: teach creative writing as craft
Teachers leave with craft instruction and a workshop culture planned.
- Pick a creative writing focus (a genre, a technique, voice).
- Teach the craft explicitly with mentor texts and modeling.
- Build a supportive workshop culture for sharing and feedback.
- Leave room for students to find their own voice and take risks.
Facilitator notes
- Teach craft explicitly with mentor texts, and coach as a fellow writer.
- Build a supportive workshop culture.
- Balance structure and voice.
Adapt it
- <b>Elementary:</b> craft basics, sharing, play with language.
- <b>Secondary:</b> genres, technique, workshop, voice.
- <b>All settings:</b> craft, workshop culture, voice.
Participant handout
One page for every teacher. Print it, or save it as a PDF.
Creative Writing: craft plus workshop
<b>Treat students as writers:</b> explicit craft and mentor texts, a supportive workshop, and room for voice.
- The creative writing focus:
- The craft and mentor texts I teach with:
- How I build a supportive workshop culture:
- How I leave room for voice and risk:
- A technique to teach first:
Make it stick
Craft and workshop:
- Teach creative writing as craft.
- Build a workshop.
- Bring a craft lesson that developed writers to the next PLC.